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A következő címkéjű bejegyzések mutatása: Alex Hellid. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: Alex Hellid. Összes bejegyzés megjelenítése

2023. március 23., csütörtök

Fredlös (Robert Lindgren, Tomas Karlson, Alex Hellid)

  Interview with Fredlös

(Robert Lindgren, Tomas Karlson, 

Alex Hellid)

Originally published in Kronos Mortus  

in English and Hungarian languages 

Hail Fredlös, first of all, my congratulations on your fantastic debut album, called “Fredlös” you unleashed on the 10th of February, this year through Threeman Recordings. (In my Hungarian review I’ve marked 10 and it will be for sure on the top of my favorite releases this year). Introduce your band members, and guest musicians and tell the readers about the beginnings of Fredlös, please.

- Hi, and thank you for your kind words. The band started out of the ashes of earlier musical projects. Robert, Fredrik, Liv, Victor, and I started the band “Barbro says No” which was a more traditional rock/metal band. Then I wanted to write lyrics in Swedish and we all had the desire to create darker music. And that’s how Fredlös was born. We recruited a new drummer, Iman Zolgharnian. Then Tomas met Alex (“I just could not resist!”) and he liked our work and joined the band.

Guest musicians on the album are:

Erik Grawsiö from Månegarm on vocals, “Våt Varm Jord” and “Fredlös”. He’s A dear friend and has been a great inspiration for us.

Martin Björklund on violin, “Våt Varm Jord”, “Otto” and “Requiem”. He’s also from Norrtälje and is a multi-instrumental genius with his own band Mercury-X.

Britta Zetterström does Kulning-Vocals on “Requiem”, a brilliant singer and chairman in a historical society that is focused on the Viking era.

I’ve been possessed by Medieval Age history since 1988 and I’ve found your lyrics very interesting. I learned a lot from you. Enlighten us in brief about Fredlös-lyrical conception.

Tomas: The inspiration for the lyrics comes from the religious oppression that accelerated after the plague in the mid-14th century. The image of God became increasingly strict. Sin and shame were at the center. Life was a valley of mourning in anticipation of purgatory. Misogyny became increasingly strong among sexually fixated prelates and turned to witch-burnings or heresy trials.

The great death struck Sweden in 1350. Initially, the plague wiped out a large part of the population. The exact death toll is unknown, but some historians estimate it to be ½ or 2/3 of the population between 1350 and 1420. As usual, the clergy blamed the population and explained the plague as God’s response to human sinfulness.

After the plague outbreak in the middle of the 14th century, a colder climate followed which further added to the plagues of the population. At the same time, intense battles were going on between noble families that were similar to the struggle between mafia families today, and that ultimately affected the population. As usual, the Church blamed the sinful people who incurred the wrath of God.

During the 1400s and 1500s, there were a large number of peasant uprisings throughout Europe, including Sweden. They were often beaten down very brutally and seldom succeeded. The peasants often rose up against the innovations introduced by the authorities as well as against oppression, exploitation, and the domination of bailiffs.

On the release day Fredlös published a new video, which I enjoyed so much. That has been your 4th video and do you plan to create new one(s) this year?

- Yes. We make them ourselves and we have been working hard for several months now with the four already released videos. Our ambition is to produce videos for the remaining songs as well and we have ideas for some of them already. We hope they will see the light one by one sometime later this year.

Fredlös will be playing on Månegarm Open Air with a lot of awesome bands. Is there any news about other live performances?

- No, not anything certain yet at this moment :)

I just imagined, how would be awesome a European tour of Fredlös/Månegarm/Entombed :) I know that is impossible at the moment but what do you think about my idea? Alex, Entombed played in Hungary in June 1994 (Unfortunately I was not there but some of my friends were and told me, that your show was amazing). What were your experiences? (I really hope that Fredlös will play in Hungary very soon and I could be there as well to see and meet you live). 

Robert: Well, that would have been really awesome if it was possible to achieve. I really look forward to what’s around the corner for us.

Alex: Aaaah! Now that was a great day and night! June 1, 1994, in Budapest at a fantastic packed venue with Napalm Death! That was one of those shows that, to this day, stick out from the rest and that will pop back into my mind on a, it seems, regular basis…as weird as that may sound. That was a mad crazy tour in so many ways I would like to try and sum it up in a book someday just to relive the madness! We had been on the road for a long time, doing a few laps around Canada and the US right before teaming up with Napalm for that European ‘94 Crusade. Something like 10 weeks in US/Canada then two days at home, Stockholm, before something like 52 shows in 54 days. It was brutal…awesomely brutal! People lost their minds for real on that trek. I love the Napalm to death! Good memories… I miss them every day since that tour it seems. People still mention the Budapest show, as you did here, to this day and send pictures. I think I still have a T-shirt someone made for us and so on…it was something else…as you hear I can go on for days about it…so, yes, I would love to come back and do the Fredlös, Månegarm, Entombed show in Hungary. It will be great! Maybe we could invite Napalm too. Is the venue still there? Petőfi Csarnok, Budapest, Hungary? (No, unfortunately not, it was demolished -G) Had to look it up. A special place, a special time, a special tour. All nostalgic and teary-eyed here now. Hopefully, we can meet up at a Fredlös show in Hungary soon! The planets are lining up.


I know that Fredlös just released their debut LP a few days ago, but do you work with new tracks? Will you continue the Medieval topic?

Tomas: Yes. We have a manuscript for the next album. The theme will be 13-14th century Italy, the evil of mankind, and the turmoil that led to the religious wars that followed in the 15th century.

Robert: Our studio is just about serviced and upgraded as some stuff needed repair and so on. We are just about ready to start the songwriting and pre-production process. It will for sure take some time to write a new album but we are lucky to have access to our own fully equipped professional studio so we don’t need to worry about studio costs. There certainly isn’t any lack of ideas for the next album and the creative process is what I like the most and really look forward to.

(Fredlös CD with signatures what sent me Robert Lindgren - G/)

What kind of music do you listen to and what are your favorite LPs of all time?

Tomas: The best album ever produced is Queensryche’s “Operation Mindcrime”- period.

Robert: I kind of listen to a wide variety of bands. If it’s good it’s good no matter the genre. But then again, I’m just the bass player and that is just one step up from playing the kazoo as Dave Mustaine once said…

At the moment these LPs rotate on my player and at least the first two stays constant, the others change.
Dark Side of the Moon – Pink Floyd
Strange Days – The Doors
Leviathan – Mastodon
A Blaze in the Northern Sky – Darkthrone
Solstafir – Köld
Heretics – Rotting Christ

Alex: Hahaha! The Cliff Burton wah-wah kazoo solo rules!

Swedish underground scene is just amazing a long time ago. What bands do you recommend to us? (Including those ones, we could not know)

“Månegarm” and “Wormwood” are first choices of course, then you have a doom band “Kråkslott” which is awesome. “Horndal” is definitely worth checking out and “Hällas” if you like awesome 70: s style progressive rock. But I guess none of the above is underground anymore as their fanbase is quite large nowadays.

Robert: When I was younger, I was running around at clubs listening to underground bands but I have to say that nowadays I do not have the same amount of time (kids and family) and I kind of have lost touch completely with the “real” underground scene. At festivals, I always enjoy the “smaller” scenes and their bands the most as that’s where you find the new and interesting stuff.

If I mentioned history, what are your most preferred historical personalities from Sweden and Worldwide as well?

- Wow, that’s a huge question. Tomas is the one who is ridiculously interested in history.

Tomas: My historical interest is vast. I´m equally interested in the Roman era as I´m interested in the more modern history. But my favorite period is from the fall of Rome up to the end of the 18th century. My favorite historical personalities are Leonardo da Vinci, Saladin, and King Magnus Eriksson. But that´s today, tomorrow there can be a totally different gang :).


(Fredlös CD and T-shirt what sent me Robert Lindgren -G/)

By the way, what do you know about Hungarian history and the underground?

- Tomas knows a whole lot about Hungarian history. He´s been to Hungary many times and had a former wife whose mother fled Hungary in 1956. Sorry to say, we know a bit less about the Hungarian underground scene.

Tack så mycket Fredlös, my/our best wishes to you all! Send your message to the readers of Kronos Mortus to complete this conversation.

Robert: Thanks Kronos Mortus readers, take care, and hope to see you all at future festivals!

Tomas: Thanks to all Kronos Mortus readers and fans. Looking forward to seeing you all at future festivals in Hungary and digging deeper into your fantastic history!

Alex: Word! Thank you! Kronos Mortus rules!

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2023. január 31., kedd

Fredlös (Robert Lindgren, Tomas Karlson, Alex Hellid)

 Interview with Fredlös

(Robert Lindgren, Tomas Karlson, 

Alex Hellid)

Questions compiled by Georgius and Joanna

Hail Fredlös, you are very welcome to my small blog. On the 10th of February your band will release the debut album, “Fredlös”. I’ve got your promo material in 2022 and in my Hungarian review in Kronos Mortus I marked 10, brilliant material. What are the responses to “Fredlös” from the underground press and the fans so far? 

- Hi Archangel's Lantern, Robert, Tomas and Alex from Fredlös here.

To have had the opportunity to make this album in our own way, time and pace and then get to see so many writing about us and liking what we have done so far, has been quite overwhelming actually. 

The album attracts a lot more people from different countries all around the globe than we ever expected it to do. Especially since the lyrics are written and sung in Swedish. And to get a 10/10 review from you guys is a great honor! We are really excited to see what will happen and what people think about the rest of the album when it is released on the 10th of February.

When, where and how did start the Fredlös? What is the correct meaning of the name of your band? Introduce your members please. Who is/are the main song and lyric-writer(s)?

Robert: The band started out of the ashes of another earlier band called ”Barbro Says No”. It was founded by Tomas, Fredrik, Liv, Victor, Micke and myself and was a more traditional rock/metal band. But Tomas and I had a desire to write darker heavier music and he one day showed me a Swedish lyric he just wrote. Reading the lyrics I just felt it was absolutely brilliant. We did a demo and presented it to the rest of the band who all loved it except for our drummer at the time, Micke. He decided it was not for him so he left the band. All on good terms of course.

We continued on in the new direction and the result is what then became the song ”Våt Varm Jord”. Alex joined and Iman was recruited on drums. And there you have it, Fredlös was born.

Robert Lindgren

Tomas:
The name Fredlös directly translated to English is ”OutLaw”, but that isn’t really correct. The word “fredlös” is more like “outcast”. Before Christianity was introduced in the north and a long time after that we had this “social punishment” called fredlös. In the absence of a strong state this was a punishment where the individual was cast out of social context.  In most cases this resulted in death. No one would shelter, hide or feed an outcast.  

Tomas Karlson

Fredlös Members:
Robert Lindgren: Bass, engineering, Recording and Mixing.
Tomas Kalrson: Guitars, and writing all Lyrics
Fredrik Danielsson: Guitars and Vocals
Alex Hellid: Guitars
Victor Dahlin: Keys
Iman Zolgharnian: Drums
Liv Hope: Lead Vocals

Fredrik Danielsson

Alex Hellid

Victor Dahlin

Iman Zolgharnian

Liv Hope

Guest musicians:

Erik Grawsiö: Vocals on the songs ”Våt Varm Jord” and ”Fredlös”

Martin Björklund: Violins on ”Våt Varm Jord”, ”Otto” and ”Requiem”

Britta Zetterström: Erie “Kulning” vocals on Requiem

Tomas: I write all the lyrics for the band. I would say it most often starts with a riff, an idea or a topic the lyric will be based on. Then we work together around that and build the bones of the song. Then I write the lyrics and Liv gets to try out melodies. I adjust the words of the lyrics to fit her melodies. The process is a team effort. 

Your debut will be released through Threeman Recordings. Enlighten us about this awesome alliance. By the way, how did you meet legendary Alex Hellid of Entombed/ex-Nihilist, who joined your forces?

Robert:
Tomas met Alex some years ago and then ran into him again about a year ago and slipped him a demo. Alex just loved it and to quote him: ”Entombed is the best band in the world, but  I want to be part of this, even if it's just me dancing around in a plague mask”. 
And to have Alex onboard has proven to be invaluable with all his skills contributing to the music and all his knowledge how the music business works and to avoid all the pitfalls. For us to be on the same label as such fine bands as Entombed, Nihilist, Wachenfeldt is simply fantastic, it couldn’t have turned out better.

I know, it is hard a bit but tell the readers in your own words all the Fredlös-songs.

Våt Varm Jord: 
The inspiration for the lyric comes from the religious oppression that accelerated after the plague in the mid-14th century. The image of God became increasingly severe. Sin and shame took center stage. Life was an ordeal of mourning in anticipation of purgatory. Misogyny grew stronger among sexually fixated prelates, which sometimes had to take the form of witch burnings or heresy trials. The most famous during the era is the execution of Joan of Arc which we used in our video for the song.

Otto:
The lyrics are about Tomas' grandfather. Born in poor conditions in Jämtland, Sweden, he was politically red-blooded. Believed in a strong and humane state where everyone had the same conditions. Otto is a tribute to Tomas grandfather's values and the blood spilled by the working class to give us the living conditions we have today. It is also Tomas' declaration of love to his beautiful soul. I imagine that images of poor Sweden and Ådalen in 1931 visually explain the song.

Farsot:
The lyrics are about the plague that hit Sweden in 1350. Initially, the plague wiped out a large part of the population. The exact death toll is unknown but estimates place it at ½ or 2/3 of the population between 1350 and 1420. As usual, the clergy blamed the population and declared the plague as God's response to human sinfulness. Movements such as the Flagellants arose who wandered from town to town scourging themselves to appease the wrathful god.


Missväxt:
During the Middle Ages, the middle of the 14th century, a significant cooling of the climate occurred. Partly due to the lack of sunspots. The lyric line "Havet födde väldig rese" refers to the volcanic eruptions at sea that historically threw enormous amounts of ashes high into the atmosphere and caused a cooling of the climate. The result was stunted growth, famines and floods and years of winter. After the outbreak of the Plague in the middle of the 14th century, the colder climate followed, which further added to the population's suffering. At the same time, there were intense battles between noble families similar to the struggle between mafia families, which of course ultimately affected the population. The church, as usual, blamed the sinful people who incurred God's wrath.


Fredlös:
”Gästning” was the duty of the peasants to entertain the king, bishops and grandees with their retinues during their travels. ”Ledungsskyldigheten” seems to have been, along with ”Gästning”, the only charge (tax) that the king could demand from his subjects at the beginning of the Middle Ages. Sometimes the visit turned into pure looting of an already poor peasant home. That's what happens in the song. The lord and his jacks slaughter the last heifer and famine awaits this poor peasant family. The farmer kills a jack in desperation and flees to the forest. What then awaited was to become outcast (fredlös). The outcast could be killed for no reason by anyone and it was forbidden to harbor, feed or help the declared outcasts. You could buy yourself free if you had plenty of money (Nils Dacke did).

Uppror:
The song describes a peasant uprising. During the 15th and 16th centuries, there were a large number of peasant uprisings throughout Europe, including in Sweden. They rarely succeeded and were often put down very brutally. The peasants often rose up against the innovations introduced by the authorities as well as against oppression, exploitation and serfdom. The text was inspired by ”Dackefejden”. It was a peasant rebellion against Gustav Vasa in 1542-1543, led by Nils Dacke, a farmer from Vissefjärda in southern Småland.  The reason for the rebellion was the strong dissatisfaction that prevailed against the king's attempts to strengthen the central power, something that was felt especially hard in the previously relatively independent Småland. The insurgents were mainly dissatisfied with Gustav Vasa's tax levels and with church politics.

Iman Zolgharnian

Undergång:
The lyrics describe the total military defeat of the peasant uprising. Much depends on the treachery and unscrupulousness of King Gösta. Although the peasants were not as poorly equipped as one might think, they were totally inferior to the well-equipped mercenaries that were being trained by the king. The mercenaries often came from Germany but also Scotland and other places. In August 1543 Dacke was shot and fell at the border of Blekinge, after the rebellion his head was put on a stake and placed at the gallows hill. To reduce the risk of another rebellion, Gustav Vasa put Dacke's son in a prison cell where he was starved to death.

Deus:
The Lord's ways are his own
God was never on your side
In ashes, hope prevails
The ice never seems to melt

God was never on your side….

Requiem:
The epilogue to the defeat. After the war, savage reckoning awaited all the farmers in the participating parishes and those who participated in the insurgents' crowd. No amnesty was granted. Dacke's home village was brutally ravaged and Dacke's relatives were either executed or deported. At the same time, the chaos continued through the local peasant chieftains who continued to live on raids and waged their private war several years after Nils Dacke was dead. Economically, the war was a disaster for Småland and initially also for Sweden as a whole. 
Because of  Gustav Vasa´s victory over Nils Dacke, it became possible for him to centralize Sweden even more easily from Stockholm. The ”Dackefejden” is an important part of Sweden's history and it was significant for a long time.


Fredlös created 3 awesome videos, namely “Våt Varm Jord”, “Farsot” and “Otto”. Who made these awesome videos? 

”Våt Varm Jord”, ”Farsot” and ”Fredlös” (coming on release date 10th of February) was done by Robert and Tomas.

”Otto” was made by Staffan Thorström, same guy who do our Album Art.

We have more ideas and hopefully more videos will emerge later this year.


I like a lot your cover, which absolutely fits to your music. Share us some thoughts about it.

Tomas:
The cover art was made by my friend Staffan Thorström. It's truly a masterpiece of art where he tries to be as accurate as possible to the perspective and style of drawings that were made in the medieval times.
The idea was a cover where you could spend some time looking at it and see fine details and new things every time you look at it. For example you can find elements from all the songs, like the burning castle (Uppror), someone burned at the stake (Våt varm jord), people infected with sickness ( Farsot) and so on…


Erik Grawsiö of Månegarm has been invited as a guest vocalist on 2 tracks, “Våt Varm Jord” and “Fredlös”. What should we know about this awesome cooperation? What are your favourite songs and albums of Månegarm? 

Tomas: 
Erik is a friend. We all come from the same area around the small city Norrtälje just north of Stockholm. A lot of good bands and talented musicians can be found here like: Månegarm, Wormwood, MercuryX, Kråkslott and so on. Everyone knows someone who knows someone… Like Liv's Hope's Cousin is the drummer of Månegarm. Our friend Tobias Rydsheim, the man behind Wormwood also plays guitar live with Månegarm on tours and so on. So, it's just a matter of calling them up and asking.


Robert:
Hard to just choose one album from Månegarm, they have made so many great albums. I would have to choose two atleast and that would for me be: ”Fornaldarsagor” and ”Ynglingaättens öde”.  And if I am allowed to choose just one song from each of those albums I would say: ”Hervors Arv” and ” En snara av guld”

As a fun note, in the video of Månegarms ”En snara av guld” you will see our guitarist Tomas acting in the role of the king.

Alongside the Fredlös, in which bands are active your members? What about the past activity of Fredlös musicians in different bands? 

Robert:
Alex has Entombed which will always be his number one of course.
For the rest of us Fredlös is the main band. 

The only fun thing you could do growing up in this small town was to play music in a band. So there have been plenty of unsuccessful bands that started and ended over the years.
Then came the family-life and kids. I met Tomas I think around 2014 and we started to record a bunch of demos in my studio. And everything later grew into  ”Barbro Says no!” And in 2021 Fredlös emerged from its ashes to become what Fredlös is today.

Tomas and Robert

Tomas:
Liv comes from the “sing and songwriter” and Country scene. Before “Barbro says No” she had very little experience in metal music. She has a major impact in our song writing process due to her unique ability to evoke spelling melodies. In Liv we sure have struck the golden motherload. 

Liv Hope

If I mentioned legendary Alex Hellid, what are your favourite Nihilist/Entombed releases? 

Alex:
Let me go cliché supreme on y’all, OK? All of them! As it should be hard to single out favorites among the children. They all mean and represent and mirror a period or moment in time, something that was created with another cliché, blood, sweat and more sweat…and sent out in the world to hopefully find new homes in the orbits of others minds. From our first releases with Nihilist (Premature Autopsy a title we got suggested straight from our idol Chris Reifert of Autopsy!:) leading up to the first album (Left Hand Path) and to our most recent Serpent Saints I never take anything for granted and always find excitement in the possibility that creativity and energy will be picked up and spread inspiration. Sounds corny for sure but that’s the greatest feeling….so everything! :)


What are your favourite historical era and why? Are you have some preferred authors and books? 

Tomas:
I devour books about history as a whole but right now at the moment it's the Middle Ages as my main interest, but that could shift tomorrow ;-)

Man's way of seeing the world shifted dramatically in the Middle Ages.The life and agony of the common people and their reality and living conditions is actually far more interesting and gruesome than just writing about “knights and dragons flying high in the sky with fire”.

I'm heavily influenced by books by Vilhelm Moberg and Professor Dick Harrison. 
But you also need to read Machiavelli and such.


Unfortunately I’ve never been in Sweden. What interesting places could you recommend me to visit, especially from your area? What local foods and drinks are your recommendations to taste it? 

- Stockholm and the old parts of the city, “Gamla stan ''. Wander around the streets where the “Stockholm bloodbath” took place”. And then go to djurgården to see the Wasa ship museum. To get a nature experience I would recommend going north by train on “Inlandsbanan '' to Kiruna. Or travel by car up north on the east coast to see the high coastal areas (höga kusten). But then again, I know you live in the Carpathians mountains so maybe our hills and nature aren't that much to brag about really ;-)

Food wise I guess it's the same kind of food here just like any other western country.
But some things to try that you might not find everywhere else is:

- Blood pudding, Slice the pudding into 7mm slices, fry it in butter and serve with lingonberry jam and crispy bacon. Best served with Milk.

- Palt / Kroppkakor. depending on where you live it has a slightly different flavor and name. “Kroppkakor” in the south and “Palt” in the north. Kroppkakor are essentially big chunky potato dumplings with meat inside them, and there are many versions of these all over the country. Served with melted butter, lingonberry jam and pork/bacon. Also best served with Milk.

- One thing I like to do out in nature is Kolbulle.
50% wheat flour and 50% water and salt. all mixed up. Make a fire. Put a pan directly into the fire. A big lump of butter and lots of pieces of smoked pork, let that fry for a while. Pour the wheat mixture over it and let it fry for a while. It will become something like a thick pancake with pork. Serve it with lingonberry jam. A beer goes really well with this to warm your bones beside the fire.
I just realized all of the above include pork and lingonberry….

Things not to eat:
- Fermented Herring, just don't do it…smells rotting death. People say it tastes good, but the smell is overwhelming. And why eat something that smells like that….


Tack så mycket Fredlös, wish you all the best! Send your message to the readers of Archangel’s Lantern please to complete the interview.

- Bye and thank you Archangel's Lantern readers, wish you all the best and thanks for all support! Hope to see you at a show in the near future!



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