Underground Metal Blog since 2013

A következő címkéjű bejegyzések mutatása: LoneHunter. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: LoneHunter. Összes bejegyzés megjelenítése

2022. december 31., szombat

Ed Mowery (Tiwanaku)

 Interview with Ed Mowery (Tiwanaku)

Hail Ed, you are welcome to my humble blog Archangel’s Lantern. Tell the readers in brief the beginnings of Tiwanaku and introduce your bandmates please.

- Thank you for having me in Archangel's Lantern man. We appreciate it. I started Tiwanaku in 2003. I could see the writing on the wall. Nocturnus was on its way to disbanding again. The sale exact arguments were going on between us. I wanted to tour. They didn't. So I quit. I started thinking of a new band name and looking for new people to work with when I noticed what was going on in Nocturnus. It took me a few months and after reading about it in books and seeing the native spelling of Tiwanaku. Tiahuanaco is one spelling that is used mostly but Tiwanaku is the native spelling and looks much cooler and is more symmetrical. Tiwanaku makes for one hell of an awesome logo! Our Klingon Bat'leth logo by Christophe Szpajdel and Nino Mejia is our latest logo. I read it as Tiahuanaco in many places before. As soon as I saw the name Tiwanaku on paper I knew that was the name I was looking for. I wanted a one word name that had never been used in metal before. Tiwanaku is a magical mystical place with a lot of mysterious history, statues, megaliths, a pyramid, Sungate, Moongate, and more. There is a stone wall of faces that depicts humans from all over the planet and grey aliens. Its in Bolivia near La Paz just a quarter mile away from the mysterious megaliths of Puma Punku, Bolivia on the Altiplano. Puma Punku was the place space vessels would land and Tiwanaku was the place they celebrated together. The band is a group of guys that were meant to come together to make Earth Base One. I have had a lot of people come and go but now the guys I have are a solid group and all as hungry as I am and believe in the band as much as I do. All of us help with the different things a band needs. 3 of us live in Pittsburgh Pennsylvania, our drummer in Orlando, Florida, and I am in Albuquerque, New Mexico. We are getting together in Pittsburgh in 7 days from today to finish writing the next album and work on our live set. We have some announcements coming after the holidays. We have versatile and very creative shred monster Sean "Hairy" Valentine on guitars, Wizard of the keyboard Ryan O'Neill on keyboards/orchestrations. The multi-instrumentalist and giant sound of Ian Spencer on Bass. Our newest member to the band is multi-genre playing bad ass hard hitting and kicking drummer Gabriel Lewandowski (xResurrection, xHellwitch, xEquinox) on drums. Gabriel and I were both close friends of Michael Estes who was trying to get Gabe and I in a jam room to see what would happen before he tragically passed away. Its better to be late than never at all. Michael may be gone but he is getting his wishes to come true and Gabe is now a permanent member Tiwanaku. Our first jam session we locked in on the first or second song. We played Giants Below Us off Earth Base One perfectly on the first run. I knew the first night playing with Gabe he was our new drummer. I think he did too. 

Ryan and Liam Hurka were the drummers on the album. Then they had to do their thing and gracefully bowed out of the band. Ryan has a business to run and it eats up all his time. Not enough time to do music too. We are all still friends. I ran into Gabriel Lewandowski   online just a couple days after they left. We got to messaging and that turned into talking on the phone that turned into me flying to Florida to hang out and play music with him. Gabe and I had a mutual friend, amazing guitarist Michael Estes (RIP). Gabe is an amazing drummer. Not taking anything away from Ryan and Liam Hurka on the album. They did their jobs awesome and we appreciate everything they did.  I can't wait to get together with the band next month. Once I come home from this trip I'll start making guitar and click tracks for Gabe to record his drums with once we all decide the arrangements and riffs are all in the right place.

Our first demo line up. 

Wade Black, Rick Renstrom, Ed Mowery, Richard Christy

Tiwanaku is:

Ed Mowery (xNocturnus) - Vocals/Guitar

Sean Valentine (Plague Rider) -Guitars

Ryan O'Neill- Keyboards/Orchestrations

Ian Spencer (Plague Rider) - Bass

Gabriel Lewandowski (xResurrection, xHellwitch, xEquinox) - Drums

Ryan Hurka - Drums on the album

Liam Hurka - Drums on Ghost War

Guests:

Michael Estes (RIP) (xTiwanaku, xBurning Inside) Guitar Leads and wrote parts of Today in Battle

Alex Webster (Cannibal Corpse) - Bass, Today in Battle

Daniel Heiman (Warrior Path, xLost Horizon)-Vocalist Interdimensional

Steven Martinez-Lead Guitar Interdimensional

Tiwanaku unleashed a fantastic debut LP, namely “Earth Base One” on the 4th of November. How went the recording process? Where did you recorded all the tracks? Who was the producer?

- Thank you! We really appreciate that man! We are now booking tours and appearances for 2023 and 2024. The recording process was an interesting one. Ryan, Liam, and I went into Cerebral Productions in Pittsburgh. Shane Mayer is a great engineer and has an absolutely amazing ear. We did the drums for the album in two days’ time. Then we used those tracks and my scratch guitars to record the keyboards which I recorded with Ryan O'Neill in his home studio. The rhythm guitars and my Vocals were recorded in my home studio. Alex recorded his bass parts in his home studio and Daniel recorded his vocals in his studio in Stockholm Sweden. We had our ups and downs during the recording process but the most important part for me is that we prevailed and got through it all to put this album out. 

I like a lot art of Spanish painter, Juanjo Castellano, who created for Tiwanaku an awesome artwork, which totally fits to your music. How did you meet him? Do you plan to work with him again?

- Our label contacted Juanjo to do an album cover for us. I gave him a short description, some background, and photos of Tiwanaku and he accepted the job then grabbed the ball and ran with it. It came out so killer and blew my expectations out of the water. Look for the hidden things in the art. They're in there. I would love to work with Juanjo again. He is a professional and even helped promote Earth Base One quite a bit on social media alongside us. He didn't have to do that. He is a very nice guy and a gentleman. I do have a couple artists in mind for album 2 and he is in the mix of 3 artists. I can say we'll lean in his direction when the time comes which will be soon. It would be amazing to have him paint the concept I already have for album 2.

Would you be so kind to share your thoughts about “Earth base One” track by track? 

- Visitor from Titan - This is a true story. It happened right here in Northern New Mexico. Michael Estes (RIP)was in town working with me on Tiwanaku. I had a gig one night filling in for my friends’ band End to End in Albuquerque New Mexico. It was opening for Goatwhore. Fun show! At the time I lived in the Northern New Mexico mountains so Mike and I loaded up my truck after the show and headed home. This was during the Perseid Meteor shower. The sky was lighting up night like day off and on the whole way back. After driving through Jemez Pueblo, we were near Virgin Mesa near Jemez Springs when we started seeing a light down the road off and on. I figured it was a light on a house or barn until we drove around a bend and it was hovering in the middle of the road. I had to stop the truck right in front of it. Then it’s kind of erupted and then doubled in size. I asked Mike three times "Are you seeing this?" About that time lightning bolts shot out from under the ball of light and then it shot up the mountain at lightning speed and disappeared. I then started asking Mike again if he saw it and I looked at him. He was in complete shock with his eyes and mouth wide open in surprise. He finally snapped out of it when I started driving again and said "Bro, what the fuck was that?" The next week the Jemez Springs newspaper reported UFO sittings at Virgin Mesa the same exact time we were driving through. We didn’t start telling people about it until after it was in the newspaper. So, we weren't the only ones who saw it. I think what we saw was a being made of electricity. Later I read if there was life on Saturn's moon Titan it would be electricity based. Right then was when I named the song.

Ghost War is about a dream I had about a war between human beings and our reality and ghosts and the paranormal reality. Something the human military was experimenting on was screwing with their reality so they found a way to start attacking humans from the paranormal side. Killing us just to join their side of reality. Gaining fighters as they kill humans, they won the war.

Swarm is about a flock of birds that mishap upon some tainted meat. They eat it and transform into a tornado of flesh-eating metal machines. 

Nightmare Hall is a song about the story of Phil Schneider's adventure and escape from an underground military base in Northern New Mexico. Nightmare Hall is a level in the base where animals, humans, and aliens are experimented on. I've studied this base, have friends that live in the town above it. I agree. It’s a real thing. I think there are underground bases all over the planet. I've read about and now been told by Bolivian descendants of Tiwanaku that there is an underwater government/alien base next to Tiwanaku in Lake a Titicaca.

Closed Minds is about the wool that has been pulled over the human race's eyes by who is truly running our planet. Our leaders are all the puppets of the true leaders of the world.

Giants Below Us has two meanings. One is about how Giants used to walk this planet. I'm not talking dinosaurs. I'm talking Giant bipedal beings. The evidence has been found of giant human-like bones and giant graves. I have a theory that Bigfoot and these Giants are related and could be the same thing. For me. Bigfoot coming from inside our planet is much more realistic to me than them acting as interdimensional beings coming from another reality like some rumors say. But I am not 100% convinced on anything. 

Vision Abducted is about when I had a total knee replacement surgery in 2009. While I was under I either had a vivid dream or a vision. I was walking around Tiwanaku Bolivia itself. I looked at the statues, the moon gate, and the sun gate. Then I found an opening behind some rocks. The door opened and there was a large stairwell. What I found is in the song.

Today in Battle was written by myself and Michael Estes. It is about the Mayan Apocalypse and different Mayan blood rituals.

Falling Stars is the piano piece that Ryan O'Neill wrote. It was something he used for warm ups some years ago. Him and I were roommates when I lived in Pittsburgh. I used to hear him get up for work. Right before leaving he would get on the piano and play those parts When I asked him if he had a piano type thing that could show how damn good, he is, he sent me this. As soon as I heard it I recognized it and said hell yea this is it! I suggested Falling Stars for the name and he agreed. 

Interdimensional is meant to be a completely different animal as anyone who hears it can tell. My best friend Brian (Progcop) Goldsmith introduced Daniel Heiman and I through an email.  We started talking about doing something together. Brian ended up passed away from complications due to diabetes in 2019 right before I was to go into major neck surgery. When I got out, I wrote and explained what happened to Brian to Daniel. That was when we decided 100% to do this song together and when I decided the song had to go on this album. Brian deserves it. I wrote every single note, lyric, and vocal throw to the song. I did it while I was grieving for my best friend. It chokes me up to write and talk about it over 3 years later. Brian believed in me when everyone had written me off to neck and back surgery. Interdimensional and the whole album is dedicated to his memory. I'll see you Interdimensional Brother!! 🤘🏼👽🤘🏼

Tiwanaku Sungate with alien ship/drone hovering above

Are you working with new material currently? 

- Absolutely! I am always writing down lyrical ideas and writing guitar riffs. I have a riff bank I put all my new material into. It’s a protools folder on my hard drive. I have about 5-6 songs worth of riffs and I know Hairy, Ryan, and Gabe have song ideas too. We are getting together in January to work on our set and get the songs together for the next album. We'll start recording sometime next year depending on when our live appearances are confirmed.

What should we know about your live performances in the near future? (I really hope to see and meet you live in Hungary or Slovakia)

Fuck yes man. We are in talks for some United States, European, and South American appearances in 2023. It will be great to meet you in person man. 🤘🏼👽🤘🏼

("In January 2019 I had the same surgery as my neck from L4-S1 and I have electronics in my lower spine. This is part of why I am able to get on stage again."- Ed Mowery)

When did you start to play the guitar, bass, keyboards and vocalizing? Who inspired you back in the day? What are your favourite musicians? 

- I started on guitar when I was 14 years old. A friend of mine moved into town and he played electric and acoustic. I hung out with him a few times and I wanted to start learning guitar myself after he let me borrow a guitar. I was fuckin hooked! I fell in love with playing metal music very early on. It took a lot of hard work to be able to play like I do today. I was no natural. Haha. When I was 19, I joined Fallen Idols on Guitar. We started searching for a drummer and bassist. We got tired of being offered gigs and not being able to do them. We found a drummer pretty quickly but finding a bassist to play our stuff back then was tough. So that's why I moved to bass for a few years. So, we could move on as a band and start playing clubs. I was 19 and was only allowed into clubs if it was all ages. If it was 21+ I was sometimes allowed to play with the band only and then was escorted out by security right after our last note. I started doing backup vocals in Fallen Idols. We were a trio. I started playing the keyboard while I was in Nocturnus still. When Louis Panzer quit the Nocturnus I went out and bought a Korg Triton 76 key. Fell in love with that instrument too. Our keyboard player Ryan O'Neill is much better than I am at execution so I leave most of that to him now. He is a monster on the keys. When we started talking about putting Nocturnus together for Ethereal Tomb and I threw my name in the hat for vocalist. They went with me. That was my first time as Lead vocalist for any band, ever. Back in the day I was mostly inspired by Ronnie James Dio, Judas Priest, Metallica, and Megadeth. My favorite musicians right now would be a variety. Ronnie James DIO, James Hetfield, Dave Mustaine, Yngwie Malmsteen, Steve Vai, Mike Patton & Faith No More, Jaco Pastorius, Beethoven, Paganini, Michael Keene, and Bill Steer of Carcass off the top of my head. 

("On my way home from C3-T1 fusions and disc replacements. This surgery saved my guitar playing and having normal use of my arms and hands" - Ed Mowery)

How do you describe your past activity in following bands as Fallen Idols, Nocturnus and Leash Law? 

- I joined Fallen Idols as guitarist. I moved to bass and backup vocals because we wanted to play gigs and we REFUSED to be unprofessional and go out without a bassist. We got tired of looking for one and I picked it up one night just to see how we would sound and we sounded AMAZING and we were a 3 piece. When I joined Nocturnus as bassist just 3 months before the European Thresholds tour. We broke up after we recorded the Possess the Priest/Mummified EP in 1993. Mummified was the first song that I had a hand in writing. Fast forward to 1999 we regrouped Mike Davis, Sean McNenney, Lou Panzer, and myself. That was when I stepped up and said "I'll sing!" I had to prove myself in rehearsals first then the studio and I did. Finding out I was a lead singer really helped me finish blooming as a musician. I love it. 

Ed, 22 years old on tour playing bass in Nocturnus with Confessor as direct support 1992 European Thresholds Tour


"Fallen Idols 19 years old. Seattle Washington. 1989. I played bass and we were doing dual vocals before we disbanded. Ed Mowery (bass, vocals), Scott Sanders (drums RIP), Willem Reeders (Lead Vocals, Guitar)" -Ed Mowery

What is your opinion about Brazilian Death metal band LoneHunter? Which hordes from the United States could you recommend us? 

- Lonehunter are awesome! I am friends with Juliano Bonacini who played keys with the band.  I have their latest release on cd. Great fucking band man! From the States? They recently signed to Unique Leader Records. I played some shows with them while filling in for a friend’s band. I really liked the band. Embryonic Devourment.

Are you having some special hobbies? What are your most preferred books and movies? 

- Most of my special hobbies are centered around the band Tiwanaku. I have love for Ancient Archaeology, Ufology, Ancient Aliens, and the Paranormal, Science Fiction, and Science Fact. Anything that causes mystery in our world, and beyond, fascinates me. When I was younger, I loved playing Football/Soccer, rock climbing, and was a dart and extreme jumper on snow skis. Adrenaline Junkie kind of stuff. I stopped doing it all after my first knee surgery. That was right about the same time I started playing guitar.

Name us your eternal favourite top 10 albums, please.

- 10 is too short of a list. How about 20 instead brother? Haha!

Metallica: Ride the Lightning

Metallica: Master of Puppets

Black Sabbath: Mob Rules

Black Sabbath: Heaven & Hell

Judas Priest: Screaming for Vengeance

Judas Priest: Defenders of the Faith

Megadeth: Rust in Peace

Megadeth: Countdown to Extinction

The Faceless: Autotheism

Pink Floyd: Meddle

Yngwie Malmsteen: Rising Force

Dimmu Borgir: Spiritual Black Dimensions

Dimmu Borgir: Puritania

Deicide: Legion

Death: Individual Thought Patterns

Carcass: Necroticism - Descanting the Insalubrious

Carcass: Symphonies of Sickness

Carcass: Heartwork

Emperor: Anthems to the Welkin at Dusk

Faith No More: Angeldust

Primus: Sailing the Seas of Cheese

Jason Becker: Perpetual Burn

That’s more than 20. I know there's many more. 🤘🏼👽🤘🏼

Thank you very much Ed, wish you and Tiwanaku all the best. Send your message to the readers to complete the interview. 

- The band is planning our live appearances for 2023 and 2024. Right now, we have a large concert in Florida we are being considered for. Two European tours and a South American tour. Hopefully they'll be confirming us for all of them. We are looking forward to bringing Earth Base One to as many corners of the planet we can. We are ready to see all your metal faces, throw horns, and fist bump you all! Thank you for having me in Archangel's Lantern, Georgius. 🤘🏼👽🤘🏼 

Important links: 

tiwanakumetal.com/?fbclid=IwAR1zGB4SqgS6zgGjMxEwRGIYI3Om6jrZmBHXQeEvNj--jwyXuVnrCEAvwpE

facebook.com/tiwanakumetal

facebook.com/redkenyi666 

youtube.com/@tiwanakumetal7469 






















2020. november 24., kedd

LoneHunter (Juliano and Marcos)

 Interview with Juliano and Marcos

(LoneHunter)

Hail my Brazilian brothers, first of all I would congratulate to you both for the new LoneHunter-song, called War (The Fields of the Great LoneHunter), I listen to a lot of times, excellent one. How many tracks you were written yet for LoneHunter-debut and when do you plan to release it?

Juliano: Wow brother, thanks for the kind words. You were certainly one of the first to hear it and in fact you didn't hear the full track, just a rough mix. There are some details in the final edition of the track that in our opinion make it much more epic. “War” was the first track we started working on after “Beyond the Portals of Death” was released and it’s probably my favorite LoneHunter song. Basically, it tells a story and I believe that the atmospheres created by the instrumental fit perfectly with what is said in the lyrics. All the harmonic chaos created by the instruments, the changes in soundscapes, the incessant and unpredictable movement and all the textures of tones in it’s almost twenty minutes of duration make it very rich to my personal taste. It will probably be the title track for our next release. Personally, I would love to release it as a split with the Swedish band Eigenstate Zero that I love and that I met thanks to an interview at Archangel’s Lantern. Chris is crazy enough to also make long songs like us LOL. Imagine a split with a song from each band and about forty minutes long, it would be colossal. Unfortunately, Chris has other plans in mind. We already have several other tracks and ideas at various stages of progress planned for an upcoming release. Unfortunately, the current pandemic has changed the routine and plans of many people. Our idea was to start doing shows now in 2020 and to release our first album in early 2021, we already had the first date confirmed but our planning went to dust. To keep things warm we talked about the possibility of releasing another EP in the beginning of 2021 and thereby closing a cycle.

Marcos: We are working in two new tracks now. Unlike the music just released (War), they are more direct songs.


I’m so honored for your awesome gifts you sent me (LoneHunter EP and Brazilian Tribute to Bathory) and I’m so proud of it, that you put on your thank list my humble name. Would you be so kind to tell us in your own words “Beyond the Portals of Death” track by track?

Juliano: Well, if I would review our work I’d say:

 Preludium - What The Moon Brings: It’s an instrumental introduction that starts with a piano and choir in a vibe that is both classic, simplistic and disturbing and evolves with the addition of guitars, bass drums and keyboards for something more bombastic. The title is from a short story by H.P.Lovecraft and if you know the work you should listen to the track imagining the sunrise and what it brings with it.

 Under Raven’s Shadows: A track that like a punch in the face already shows most of the elements found in the band's sound. Two vocals, old school Death Metal guitars, keyboards present as an element as important as guitars and sound variation. There is a riff on that song that is purely Nocturnus and that We love. The lyrics are about death from the perspective of the poem "The Raven" by Edgar Allan Poe and how a man or woman can surrender to irrationality before the greatness of the lone hunter with a thousand eyes.

 Interludium – Face Your Fears: This is a track created by Marcos and has a Dark Ambient vibe, something a little cinematic I would say. I think it works very well as a divider between the preceding track and the succeeding song. This track has the same vibe from some old Scott Burns productions.

 Eternal Time: That was the first track that we started working on LoneHunter. It was kind of a lab to test the limits that we would explore in the band and started as a re-reading of a track created by Marcos when he was still playing in another band called Immortal Majesty in the 90s. It starts out more raw and cold and evolves to finish in a guitar riff half Deicide, half Luciferion covered by a keyboard trip that tries to create something in the vein of a Nocturnus track called Artic Crypt. The lyrics are about how the brevity of the time of a life can be insignificant when placed in front of the vastness of eternity that the concept of Death brings with it.

 Postludium - Beyond The Portal’s of Death: An instrumental “outro” that shows  a slower and morbid theme, as if it were the soundtrack that prepares the revelation of the mystery that lurks behind the veil in the fields of the great lone hunter.


LoneHunter made two brilliant covers from Bathory (“Call from the Grave”) and Bolt Thrower (” The Forth Crusade”). Share your thoughts about it. Do you plan to make new covers in the near future?

Juliano: Thank you for the words. The Bathory track that is part of the Brazilian tribute made us very satisfied, unfortunately some mistake that was not ours and that we in the band cannot explain, made the track was put in the album come out much faster than the one we recorded and it was very frustrating for us. If someone has a first contact with LoneHunter through this cover, they may have the wrong impression about us. It was our intention that the Bolt Thrower cover would be part of the EP "Beyond The Portals of Death", Karl Willets himself supported us in that decision, but the record company that owns the music rights did not allow us to do that. In addition to these two covers that you mentioned, we did a version for "For all Those who Died" also by Bathory that would be part of a Mexican tribute and that will probably never see the light of day, and a version for "Cryonics" by Slayer that is on tribute released by Antichrist Magazine. We love working on versions of songs created by others and giving our own face to it. Now it's time to focus on our own compositions, but we've already talked about the possibility of playing with something from Death, Merciless, Pestilence, Black Sabbath, Obituary, Insane Death .... some we discard, others, well wait and who knows ...

Brother Marcos you unleashed an awesome solo-project namely Dark Kingdom and I must say the song “Echoes of the Night” you sent me to listen to it, a great job. Tell to the readers all the important information of Dark Kingdom please.

Marcos: Thanks for the kind words, brother.

I created the Dark Kingdom logo at the early 90’s and the idea was kept for several years. I am always creating arrangement and this year this kind of song starts appears in my mind. I like very much of working in different ideas.

LoneHunter goes to one direction. Dark Kingdom, Masturbator and Pesticide goes to another.

I will release a new song this year.

Marcos, what is the current situation with other hordes, you are playing or played back in the day as Masturbator and Pesticide?

Marcos: My main horde is LoneHunter. I play in Masturbator and Pesticide too. Masturbator is an old school Brazilian death metal band formed at 1987. It was the first band I saw playing live at 1990, in rehearsing. Old friends! I join forces with Masturbator at march’2019 and we played live in two local festivals last year. We are finishing the recordings of the first full length album. It will be released in Extreme Sound Records.

Pesticide was a splatter grind death metal I started at 1990. It was a project only with  bass with distortion and drums. André play drums and me, bass. We recorded 2 rehearsal demo tapes. At 1994 we changed the name to Cauterization and recorded a rehearsal demo tape and stopped the activities. I started to play at Immortal Majesty and Cauterization never played after this. I played in Immortal Majesty for one year and left the band because of personal reasons.

Last year André and I started to play again and compose new songs. We want to release 8 songs next year.

Because there is another band called Cauterization we choose Pesticide for the return of our activities.

I played in the Funeral Serenade band too. It was a project with former members of Sex Trash band. I compose the song called Extintion and participated of the creation of 2 another songs. It was for some months and I left the project this year.

Brother Juliano you mentioned in our first conversation that you were invited to do the keyboards to Mr. Ed Mowery’s great band Tiwanaku. What should we know about that cooperation?

Juliano: Well… Yes Ed called me to the keyboards and I have to say that this was a bit of an unexpected honor. Ed was part of Nocturnus and honestly, being invited by a former member of one of your favorite bands to be part of a project is kind of surreal. The first album will have special guests that were part of bands that I have always admired like Death, Carcass, Cannibal Corpse, etc., that means that the whole thing is even crazier lol. BUT .... the fact is that I have a job that takes me more time than I have and I have a bad habit of making more commitments than I can and that would not give me enough time to do the job that the quality of the band  would demand.  In addition, the issue of distance is another factor that hinders the necessary logistics.  Ed got an old friend to do the keyboards and he will continue with Tiwanaku. Ed had some personal problems that delayed plans a lot, but he is a great guy and managed to get things sorted out and get the train on track again. Soon news will be revealed and the material is getting great.

Juliano in our private conversation you told me you started a Dark Ambient project. Let’s talk about it.

Juliano: Yes, I have a lot of composed stuff that wouldn't fit in LoneHunter’s music and that I'll use in another approach, something more Dark Dungeon / Ritual Ambient music. This material will have a more "religious" connotation, let's say and it will be something very personal. Let's say that certain things that I believe and that deserves to be glorified will be in a sonic format. This project will be named as my old zine "Crypt of Eternity" and my intention is at first to finish five compositions.

What are your favorite albums from 2019 and 2020 yet? (from Brazil and Worldwide)

Juliano: Brother I get a lot of new stuff every day to review in Lucifer Rising Magazine and a lot of things always catch my attention. There is a lot of old school Death Metal band that has caught my attention. I will name a few but I am sure I will forget a lot. From Brazil my favorite band at the moment is OPEN THE COFFIN, which is composed by a former member of the Brazilian band INSANE DEATH, I recommend to all of your readers that try to know these two names.

Bands and albums that caught my eyes and ears recently were:

Necrot - Mortal

Bismarck - Oneiromancer

Come Back From The Death - The Rise of the Blind Ones

Cursed Blood - Taker of Life

Eremit - Desert of Ghouls

Innards - Back from the Grave

Sensory Amusia - Bereavement

Sepulchral Curse - Only Ashes remain

Troops of Doom - The rise of Heresy (Keep this name, they will be giants one day)

Trident - North

Undead - Existential Horror

Wobbler - Dwellers of the Deep (a Dark Progressive band that I love) etc, etc, etc.

Which are your favorite books/writers/poets and movies/actors? (Brazilians and others)

Juliano: Anything and everything from Master H P Lovecraft, Edgar Allan Poe, Neil Gaiman, Clive Barker, Isaac Asimov, Douglas Adams, Michael Moorcock, I have tons of old science fiction anthologies from all over the world in my library. A friend named Mimi Zanetti just founded her publisher "Carcosa Editora" and through her I met an author named Anthony M. Rud very unknown and I'm in love with the guy's style. 

I'm totally in love with sci-fi movies and series, things like the Star Trek franchise, Sliders, Fringe, Twilight Zone, Amazing Stories. Currently two of my favorites are Lovecraft Country and The Boys.

Do you have any special hobbies besides creating music?

Juliano: I work a lot and in fact I am a bit addicted to it and my spare time is very limited. I love to write and I have several short stories written. Besides music, my other passion is books. I actually spend a lot more of money on books than on albums. Science fiction, art, history and mainly philosophy are my main topics.

I also have two daughters and I love spending time with them. My oldest daughter has a very different mentality and I love to discuss philosophy and things like that with her.

Obrigado/Thank you very very much, brothers! Send some thoughts to complete this interview.. Hail LoneHunter and Total Support! 

Marcos: We want to thank you for your time, brother! For this interview and all support your give to us.

Underground rules!

Juliano: Thank you brother for all the support. Your work to the underground is priceless.




Important links :

facebook.com/LoneHunterHome/

youtube.com/channel/UC4O175BAT01ALAFXDsnN4Nw

facebook.com/DarkKingdomHorde/

















 

 


2019. szeptember 6., péntek

LoneHunter (Marcos and Juliano)

Interview with Marcos and Juliano  
(LoneHunter)


Hail brothers Juliano and Marcos! You are very welcome to my small inferno, Archangel’s Lantern! Tell us at first the beginning of your Death metal horde LoneHunter.

Marcos: I was always in love with composing and making music. Since 1990 when I started playing bass on Pesticide and Cauterization and then I started playing guitar on Immortal Majesty.

In 1995 I stopped playing to do some personal life projects, but in 2016 I decided to play again. Then LoneHunter started.

Juliano: Marcos and I have been friends for over twenty-five years, but at some point we parted ways, he went on to build a career, I finished college, got married, got involved in some projects and in 2017 we got back in touch. At the time LoneHunter had a slightly different approach and he showed me several songs. The conversations… the memories… the passion for Death metal that doesn't die… the fact is that things have converged and we join forces to make the kind of sound we are creating.

I’ve listened to Lone Hunter EP, “Beyond the Portals of Death” and I must say it’s just a brilliant Brazilian Death metal. Tell us all the important things about this EP (song-writing process, about lyrics, cover art)

Marcos: Thanks for your words, Georgius!
As with all kinds of artistic creation, there are no rules. Usually the songs start with some of my guitar riff that I quickly imagine possible drum and bass lines. Sometimes I can already imagine the keyboard and vocal lines at the time of this brainstorm.
I record and send this type of material to Juliano.
All the lyrics from the EP were written by Juliano. I just change some things to make it fit to the song. The cover art was created by Tiago Medeiros. He is very talented guy!


What are your future plans with Lone Hunter? Do you want to play live in the near future?

Marcos:We are working on new songs for the full length and trying to promote the band with friends, fanzines and metal radios support.
Waiting for the arrival of the EP in digipack CD format.
I play in another band, it's called Masturbator. We made some live appearances and after that I just think about LoneHunter playing live too. We are searching for musicians that want to join us in this journey.
It's too hard to find a drummer! Oh, Satan! LOL

Juliano: “Beyond the Portals of Death” is kind of a teaser for our first album. A way to introduce the band to the metalheads and show who we are. I believe the best of LoneHunter is saved for this full length and Oh yes, definitely taking LoneHunter's music to a stage is a goal.

When did you start to play the musical instruments? Which musicians influenced you back in time?

Marcos: I was just a boy when Sepultura was on the rise. Beneath the Remains was released. This was the first Brazilian band to win the world in those times. It was the golden age of Death Metal and bands like Death, Morbid Angel, Entombed, Pestilence, Obituary, Carcass, Napalm Death, Sinister, Noctunus and many others were releasing amazing records.
Listening to these bands made me want to play and here I am today.

Juliano: I bought my first keyboard in the early 1990s. Many keyboardists and pianists have inspired me over the years. Back in the 90’s Marcos and I jammed sometimes with two keyboards doing some music in the vein of old Mortiis.
Jon Lord from Deep Purple and Louis Panzer from Nocturnus has always been  genius for me. Bands like old Limbonic Art, Emperor, Gehenna's first album. Recently the work of Katarina Gubanova impressed me greatly.

What was your first band? Do you play in other bands/projects? 

Marcos: My first band was Pesticide. It's a Splatter grind death "drums, bass and vocals" project formed at 1990.
We changed the name of the band to Cauterization and released its latest demo tape in 1994. (https://soundcloud.com/lonehunterband/cauterization-demotape-1994)
In 1994, I started to play guitar and was a former member of Immortal Majesty band. It's a death metal project.
When I spoke to Juliano at 2017 about to join forces with me in LoneHunter, the initial idea was to bring the Immortal Majesty back into action. We spoke to the other former members but only me and Juliano decided to go ahead. So LoneHunter idea grown up. 


Juliano: I was part of the band Black Metal Ayperos for a short time. In 1996 I recorded the keyboard parts of the "Black Side" demo and the "Brazilian Underground Attack" vinyl with them. In 2002 I created the War Death Metal band Opus Bélico together with a friend.
Currently besides LoneHunter I was invited to do the keyboards in the Progressive Death Metal band Tiwanaku led by Ed Mowery (ex Nocturnus, ex Malediction). The band is recording their first album called "Earth Base One" and will feature guest appearances by James Murphy (ex Death, ex Obituary, etc.), Carlo Regadas (ex Carcass, ex Blackstar) and a few more special appearances that will be announced in the right moment. I admire Ed a lot, not just as a musician but as a human being. He always fights his personal battles in a good mood.

Tell the readers please your experiences about the Brazilian underground (past and present). Which hordes are your favourites? 

Marcos: A lot of things surely have changed since I started into metal scene.
From the letters, tape trades and real world to internet.
Today all the people just want to create discussion about left-right political ideas. But they focused on discussing only and cause fragmentation with no sense or practical attitude to solve the problem. It's is just nonsense blah blah blah, you know?
The hordes that have my attention today is Exterminate, Sanctifier, Open the Coffin, Havok 666, Funeratus, Cirrhosis, Vulture.

Juliano: In the old days we were a bunch of kids all friends who just wanted to drink, listen to metal and scream blasphemies. Today here in Brazil much has been lost because of politics. It all ends in political discussions and personally I hate politics. A lot of great bands come up constantly. Some that I would definitely point to the readers are Open The Coffin, Disruption Path, Wolflust, Klamor, Hell Abyss, Sculpture (Awesome band), among others.


Juliano, you mentioned me in our private conversations that you wrote about the Gilles de Rais (Hail to Gunther and Ancient Rites) a thesis or dissertation. Tell us please about it more.

Juliano: Yes my university thesis was basically a biography of Giles DeRais with a psychological focus in the historical period. It tried to correlate the society at the time as a potentialiser in the creation of a serial killer. DeRais was an amazing and fascinating character. In college I read everything I could find about psychopathy, serial killers, and related topics. Curious that you asked this question because a few weeks ago I found my thesis in my library and realized that although a bit raw it is good, well written. Maybe I will update it and in the future will release it as a book ... Just plans yet, let's see.

Gilles de Rais by Éloi Firmin Féron (1835)

What are your eternal favourite albums and hordes?
 Marcos:
Sinister - Cross the Styx
Noctunus - all, The key
Morbid Angel - from Altars to Domination
Pestilence - Consuming Impulse
Obituary - Slowly We Rot /Cause of Death
Bolt Thrower - all, The IV Crusade
Terrorizer - World down fall
Death - all, Human
Dark Angel - Darkness descends
Kreator - Coma of Souls
Malevolent Creation - The Ten Commandments
Suffocation - Effigy the Forgotten
Samael - Ceremony of the opposites
Rotting Christ - Thy might contract
Deicide - Deicide
Bathory - Blood Fire Death


Juliano:
Nocturnus – The Key
Ancient Rites – Rvbicon
Impaled Nazarene – Ugra Karma
Dissection – Reinkaos
Entombed – Left Hand Path
Death – Symbolic
Morbid Angel – Blessed are the sick
Elysian Fields – Adelain
Emperor – In The Nightside Eclipse
Usurper – Diabolosis
King Diamond – Fatal Portrait
Sadistic Intent – Ancient Black Earth
Inquisitor – Walpurgis Sabbath of Lust
Luciferion – Demonication
Against The Plagues – Decoding The Mainframe
Gravehill – When All Roads Lead to Hell

I’m a big fan of Brazilian football and team since 1982, Zico, Socrates, Eder times…Do you have any favourite players and teams in Brazil? 

Juliano: Brother, I think you're talking with the two wrong guys about it. I've always been a little traumatized by football because of the school days, I was always the last one to be chosen to play and if someone chose me before others would shout "Noooooo, not him." LOL. Not my cup of beer, sorry.

Perhaps you know that my blog is dedicated to Jon Andreas Nödtveidt. Did you see Dissection live back in time in Brazil? Have you any favourite tracks/album from Jon’s heritage? (not only Dissection)

Juliano: I didn't get to see Dissection when they came to Brazil. My friends make a point of rubbing the pictures in my face always ....
For me the album Reinkaos is one of the best ever written in the history of Metal. Not only musically but also the lyrical part. Jon was a genius and everything he touched turned to gold. I like even De Infernali his most controversial project.
My favourite tracks are Dissection’s “Where Dead Angels Lie”, “Xeper I Set” and “Maha Kali”.


Juliano, tell us please about your activity in Lucifer Rising magazine.

Lucifer Rising is a magazine for the extreme underground metal and has existed for over 15 years.
The problem is that fewer and fewer people consume magazines these days and the publishing world is having to readjust. With this idea in mind, my friend Eden Lozano, who was already working on the team of another Brazilian metal magazine, took the lead with the proposal to broaden the concept of the magazine by creating the Lucifer Rising portal. I was invited to be part of the team of writers along with some important representatives of the Brazilian underground and we are struggling to bring the best content possible to all metalheads.

One of our mottos is that there is no band too small for us. By the way I invite all the bands that are reading and want a good disclosure to get in touch. We are always available.

I’ve never been in your beautiful country but I really hope to have a trip someday. Recommend to the readers some local Brazilian foods and drinks and interesting places to visit.

Marcos: Brazil is a great place to trip to. I think "Diversity" is the word that describes our country. From Amazonas to Rio Grande do Sul, you will see a lot of different things, from food/drinks/fruits to beautiful places (beaches, waterfalls, rivers or sights). It depends what you are looking for, but certainly you will find a good reason to come here my friend.
I love our food. Our cooking is a mix of local and worldwide tastes.
And NO, I don't agree tourists who come here for sexual reasons. Yes, we have a lot of beautiful girls but They deserve our most sincere RESPECT. 

Obrigado brothers, it was a pleasure to talk with you. Share some thoughts of LoneHunter to complete this interview. 

Juliano: Thank you for the opportunity. It is an honor for us. Personally, I believe the underground is made by the union of those who live it. I see a lot of people wasting time discussing things that have nothing to do with metal. I think we could be more productive if instead of talking badly about a band that we didn't like we could share two others that caught our attention. I wish to Archangel's Lantern success and long life.

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